出於典故而後離於典故，先以視覺的機設充作一種自我安慰。柱身被掩飾同時封存為碑，而肉身被戲弄、輾壓成一片區域。總是在唯美與暴力交織下的身體，霎時退居為幕後的載體，毋用再受審判，或貶抑或敬仰，尚且為眼下的圖像意義落一個暫時駐腳，為命題提供線索。

Departing from allusion after initially drawing upon it, the work first employs visual dispositifs as a form of self-soothing. The column is concealed and simultaneously sealed as a monument, while the flesh is toyed with and compressed into a flattened zone. The body—always entangled between beauty and violence—momentarily retreats into a backstage carrier, no longer subject to judgment, whether denigrated or revered. It instead offers a provisional anchoring point for the image’s meaning, providing clues for the proposition at hand.

Photo by Yuen Nga Chi

Exhibited at The Art of CUHK 2026 MFA Year 1 Display, New Asia College Ch'ien Mu Library, CUHK